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EDUCATION |
| 2001 |
MFA in Photography, Yale
University |
| 1986 |
BFA in Photography, San
Francisco Art Institute |
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TEACHING POSITION |
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Associate Professor of
Photography, Rhode Island College, Providence,
Rhode Island |
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FELLOWSHIPS AND
AWARDS |
| 2002 |
Rhode Island Council
For The Arts Photography Grant (Second place) |
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Faculty Research
Grant, Rhode Island College |
| 2001 |
Taylor-Lange Prize,
Duke University |
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Faculty Research
Grant, Rhode Island College |
| 2000 |
Rhode Island Council
For The Arts Photography Grant (Second place) |
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Friends of
Photography Calumet Emerging Photographer Award |
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Faculty Research
Grant, Rhode Island College |
| 1999 |
Teaching with
Technology Fellowship, RIC, URI, and CCRI |
| 1995 |
The Brindly-Hardy
Fellowship in Photography, Mary Anderson
Center Mount St. Francis, Indiana |
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SOLO EXHIBITIONS |
| 2000 |
"Inheritance"
Photography Gallery, University of Rhode Island,
Kingston, RI |
| 1994 |
"Selected
Memories" Projex Gallery, Austin, Texas |
| 1992 |
"Milagros
Officiales y Milagros Clandestinos" Galeria
Imaginaria, Antigua, Guatemala |
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"Images Between
Worlds" CIRMA Gallery, Antigua,
Guatemala |
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GROUP EXHIBITIONS |
| 2002 |
"Inheritance"
by Paola Ferrario &
"TB-Diary" by Linda Troeller,
Richard Stockton College Art Gallery, Pomona, NJ |
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"Building The
Collection: New Gift and Aquisitions" The
William Benton Museum of Art, University
of Connecticut, Storrs |
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"Flexible Space:
Adaptive Reuse and the New Economic Mainstream;
Artists and Architects Inspired by Mill Buildings
and Their Preservation", Rhode Island
Foundation Gallery and The Monohasset Mill,
Providence, RI |
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"Royal Mill
Project", Warwick Museum, Warwick, RI |
| 2001 |
"Inheritance"
Blue Sky Gallery, Oregon Center for the
Photographic Arts, Portland, OR |
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"Of Steel and
Silver", photographs by P. Ferrario
sculptures by Bill Martin, Wheeler Gallery,
Providence, RI |
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"The Afterlife
of Images", photographs by P. Ferrario
and A. Blume, Dumbarton Oaks, Washington DC |
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"Beneath the
Surface", 6th Annual
Photographic Competition, Curator, Chien-Chi
Chang, Photographer, Photographic Center of the
Northwest, Seattle, WA |
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"Evolution in
Narrative Photography", Santa Fe
Community College, Santa Fe, NM |
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"Curious
Journey", Gallery 214, Montclair, NJ |
| 2000 |
"Snapshots"
Curator Garry Sangster, The Contemporary
Museum, Baltimore, MD |
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"ANA 29" Curator
Lucy Lippard, Artist, Holter Museum of Art,
Elena, MO |
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"National Juried
Competition" Curator, Darsie Alexander,
curator of photography at MOMA Long Beach
Foundation for the Arts and Science, Loveladies,
NJ |
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"Northern
National Juried Art Competition" Curator,
Betsy Damon, Artist Nicolet College LRC Gallery,
Rhinelander, Wisconsin |
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"31st
National Juried Exhibition" Curator,
Barbara Dougherty, Publisher of ART CALENDAR Palm
Springs Desert Museum, Palm Spring, CA |
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"Texas National
2000" Curators, "The Art
Guys", Artists Stephen Austin Gallery,
Stephen Austin State University, Nacogdoches, TX |
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"Photography
Now" First Prize Curator, Frank Gohlke,
Artist South Shore Art Center, Cohasset, MA |
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"Digitally
Smart" Curator, Bruce Wands, Ben Ortiz,
Patty Bell Hastings, Sean Nixon. University of
Bridgeport Gallery, Bridgeport, CT |
| 1999 |
"Signs of
Life" Curator, Alex Harris, Editor of
DOUBLETAKE Magazine, Atlanta Photography
Group Gallery, Atlanta, Georgia |
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"Women in the
Visual Arts" Curator, Elizabeth Sussman,
Junior Curator of the Whitney Museum, Erector
Square Gallery, New Haven, CT |
| 1997 |
"Spectra
97" Silver Guild Arts Center, New
Canaan, CT |
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"Visions of
Grace" Curator, Trevor Fairbrother,
Seattle Art Museums deputy, Benham Gallery,
Seattle, Washington |
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"Matters of Fine
Walls: Contemporary Women Photographers"
Five Photographers: Paola Ferrario, Mary
Kocol, Seton Smith and Ann Turin, Curator, David
Little, Bakalar Gallery, Massachusetts College of
Art, Boston, MA |
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"Home is Where
the Heart is" Curator, Sarah Morthland,
Center for Photography at Woodstock, Woodstock,
NY and Print Club, Philadelphia, PA |
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"Texas Cotton
Towns" and "American Dreams"
Two Photographers: Paola Ferrario and Sybil
Miller, Gallery Four, Dallas Public Library,
Dallas, Texas |
| 1996 |
"Mary Anderson
Center Alumni Invitational Exhibition" Third
Prize, Curator, Julie Schweitzer, Floyd County
Museum, New Albany, Indiana |
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"Primary
Subject" Curator, Colleen Kenyon,
Director, Woodstock Center for Photography/The
Print Club, Philadelphia PA and The Woodstock
Center for Photography, Woodstock, NY |
| 1994 |
"The Red Hot
Show" Show and benefit for the Austin
Museum of Fine Art, at the Austin Museum of Fine
Art, Austin, TX |
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"CH2TX" A
cultural exhange between Texas and Switzerland,
sponsored in part by the city of Austin, Galerie
Tumb, Zurich, Switzerland |
| 1994 |
"Self-Possessed"
Curator, Lynn Zelevansky, Curatorial
Assistant, MOMA, New York City |
| 1994 |
Travelling exhibition,
Laguna Gloria Art Museum, Austin, TX |
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Travelling to:
University of Texas at Brownsville, J. Wayne
Stark University Center Gallery At Texas A &
M University, Grayson County Junior College,
Wayland Baptist University, Del Rio Council for
the Arts, and Lubbock Fine Arts Center |
| 1993 |
"Human
Rituals" Jury Prize, Gallery 102,
Austin, TX |
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"The Weft of
Time" Williams College Art Museum,
Williamstown, MA |
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"Luminous
Guatemala" Galeria Sin Fronteras,
Austin, TX |
| 1992 |
"Guatemala
Biennial" First Prize, Pais Museum,
Guatemala City, Guatemala Curated by Raquel
Tibol, Jose Luis Cuevas, Cundo Bermudez, Joao
Candido Balvao, And Lionel Mendez DAvila |
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"New
Acquisitions" MOMA, New York City |
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"500 Anos Basta!
Arte Por la Vida" Kanonhalen,
Copenhagen, Denmark |
| 1991 |
"El Dia de los
Muertos" The Museum of the Americas, New
Orleans, LA |
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"Three
Photographers" Latin American Library at
Tulane University |
| 1991 |
"Guatemala
Biennial" First Prize, Pais Museum,
Guatemala City, Guatemala, Curated by Serge
Hambourg, Nilda Peraza, Belgica Rodriguez, Elmar
Rojas, Fernando De Szyszlo, and Oswaldo Viteri |
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ARTICLES
REVIEWS AND PUBLICATIONS |
| 2000 |
The Photo Review, summer
2000 issue |
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"Where Art and
Cultures Combine" By Linda Murphy, TIME
OUT, Kingston, RI |
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"Widening
Photographys Eye" By Jerry Cullum,
Atlanta Journal |
| 1997 |
"Safe at
Home" by Kathi Norklun, WOODSTOCK NEWS |
| 1994 |
"A Taste for the
Traditional" by Ellison Austen Walcott,
NEON |
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"Mary Anderson
Center Alumni Invitational" by Ellison
Austen Walcott |
| 1994 |
"Austin Meets
Zurich" by Judith Stofer, DAS,
Switzerland |
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"Benefit for
Fine Arts is a "Red Hot" Scorcher"
by Madeline Irvine,AUSTIN AMERICAN STATESMAN |
| 1993 |
"Selected
Memories" by Marguerite Mayhall, AUSTIN
CHRONICLE |
| 1992 |
"Magic of Daily
Life Portrayed in Artworks" by Belinda
Acosta,AUSTIN AMERICAN STATESMAN |
| 1990 |
"En Mi
Fotografia Busco al Dios Que Sufre Por Sus
Deudos" by Francisco Mendez, SIGLO
VENTIUNO, Guatemala |
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"Los Milagros de
Paola Ferrario", LA CRONICA, Guatemala |
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COLLECTIONS |
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Museum of Modern Art,
New York, New York |
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The National Museum
of American History, Smithsonian Institution, Washington,
D.C. |
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Amon Carter Museum, Fort
Worth, TX |
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The William Benton
Museum of Art, University of Connecticut,
Storrs |
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The Harry Ransom
Resource Center, University of Texas, Austin,
TX |
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Pais Museum, Guatemala
City, Guatemala |
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LECTURES |
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Richard Stockton
College, Pomona, NJ |
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University of Rhode
Island, South Kingston |
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University of
Massachusetts, Dartmouth |
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University of North
Texas, Denton |
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St. Edwards
University, Austin, Texas |
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Heron School of Art,
Indianapolis, Indiana |
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CONFERENCE LECTURES |
| 2002 |
"Paola Ferrario:
Image-maker" at National SPE Conference,
Las Vegas, NE |
| 2001 |
"Teaching
Documentary Photography" at Regional SPE
Conference, Texas Tech University, Lubbock, TX |
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